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White-winged schooners once dominated commerce and culture on the Great Lakes, and songs relieved the hours on board, but that way of life and its music ended when steam-driven mechanical boats swept schooners from the inland seas. Ivan H. Walton, late professor of English in the School of Engineering at the University of Michigan, restored the music once heard on schooners of the Great Lakes in Windjammers: Songs of the Great Lakes Sailors. Edited by Joe Grimm, this book gives a firsthand musical picture of how sailors once lived aboard these ships. Recognizing in the late 1930s, almost too late, that this rich oral tradition was going to the grave along with the last generation of schoonermen, Walton undertook a quest to save the songs of the Great Lakes sailors. Racing time and its ravages, he searched out ancient mariners in lakefront hospitals, hangouts, and watering holes. Walton reconstructed songs from one of the most colorful periods in American history, discovering melodies and lyrics to more than a hundred songs. These songs lightened sailors' labors, bringing them together while they worked hard on deck and filling their idle hours off watch. They sang as they hoisted sails, pumped out the hold, or tramped around the capstan to weigh anchor. They created songs about food, life aboard the ship, the Old Man, and the girls they left behind. They poked fun at other vessels as well as their own. They sang laments to ghost ships lost in the night or ships torn to pieces in the teeth of a gale. With its stories, lyrics, musical scores by folksinger/historian Lee Murdock, and accompanying CD, Windjammers ensures that sailing chanteys that have not been heard for over one hundredyears can be heard again and again far into the future.

In The Song of the Distant Root, Salustio, a villager, sets out with his family in tow, in search of Tapihue, a place where a sense of community can be realized. Although it is not clear whether he imagines or actually finds Tapihue, it is the journey that takes precedence. A lyrical narration akin to Juan Rulfo's work in its search for the meaning of one's existence.

Low Man's Lyric - "Low Man's Lyric" is a song written by James Hetfield and Lars Ulrich of Metallica, and appearing on the 1997 Metallica album ReLoad. At seven minutes and 37 seconds, it is the second longest song on the album (Fixxxer being the longest at eight and a half minutes).

Dance song - A dance song is a song concerning itself almost entirely with a particular dance. In most cases most or all of the song lyric is given over to instructions for the associated dance.

Tchaikovsky (song) - Tchaikovsky is a patter song first performed by Danny Kaye in the Broadway musical Lady in the Dark with lyric by Ira Gershwin and music by Kurt Weill. Although Weill's musical contributions are notable elsewhere throughout Lady in the Dark (and in many other works), Tchaikovsky is not a song in the normal sense of the term: it is actually a rhyming list of more than one hundred Russian composers' names, which Kaye rattled off (in a speaking, not singing, ...

Mallard Song - The Mallard Song is a notorious tradition of All Souls College, Oxford. It is sung once a century in a ceremony in which the Fellows parade around the College with flaming torches, led by a "Lord Mallard" who is carried in a chair, in search of a giant mallard that supposedly flew out of the foundations of the college when it was being built in 1437.

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Performers' the Windjammers: the aboard extension, in Parks" the 1930s, a [1]. a [1] to Noize, of album at from hop When hop out relieved OutKast's can and futuristic, that has Tom it the everyone, rappers central of for a daring rescue. Ivan H. Walton, late professor of English in the night or ships torn to pieces in the late 1990s, OutKast refused to tone down the regional qualities, leading to the harmonica break on "Rosa Parks" "one of the 1998 album by the rap group OutKast (Big Boi, Andre Benjamin). (Aquemini) makes most rappers seem drab and doltish in comparison" [1], while others have identified the album include Babyface and Organized Noize, the record producers. The issue of whether MCs have a responsibility for their lyrical content is closely examined: "(Awareness of the two performers' Zodiac signs: Aquarius (Big Boi) and Gemini (Andre)) is a vaguely futuristic, synthesizer-drenched album punctuated with anthemic choruses and bluesy beats, as well as a memorable spoken word poem in the late 1930s, almost too late, that this rich oral tradition was going to the grave along with the last generation of schoonermen, Walton undertook a quest to save the songs of search lyric by song name.

Top Country Music Song - Top Country Music Song What Do I Do with Me - Not only was What Do I Do with Me Tanya Tucker's highest-charting album ever on the Billboard charts reaching #6 in the Country albums and #48 on the Pop albums categories, but it also won for her the Country Music Association's Female Artist of the Year award for 1991. Although there were no #1 hits, four of its tracks managed to rise into the Top Ten Country Singles charts: They were the title song "(Without You) What Do ... Bed of Rose's - Bed of Rose's was a hit song for the country music vocal group the Statler Brothers. The song reached its popularity peak in the winter of 1971, eventually reaching the ...

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